In February, I visited an exhibition of civil rights photographs, This Light of Ours: Activist Photographers of the Civil Rights Movement, at the Bullock Museum of Texas History in Austin. In the weeks that followed, the pandemic would disrupt every aspect of my life, and the exhibition lost its urgency for me despite being deeply moving. One part in particular struck me as profoundly unsettling. Stepping between walls midway through the show, I was confronted by a cage that civil rights protestors were placed into during the 1960s. I stood looking at that cage and the photographs around it for 30 minutes, maybe longer. Surrounded by images of old men, young women, and people killed or injured during a time a national strife, the cage felt more than ominous. It felt immediately threatening and heavy. There was no way to see the images without walking around the cage and seeing it from all angles, and the figures in the photographs, framed by the bars of the cage, suddenly appeared powerless and desperate.
The protests over the past months make this exhibition more relevant than I would have ever imagined. The nine photographers in the show were participants in the civil rights movement as well as observers. The show runs through August, and, with the shutdown and the protests, I hope it is extended. It could not be more timely, and it could not be more important. If you are within driving distance, I might be willing to say that it’s an obligation for you to see it. At times like these, our history matters more than ever.
This Light of Ours is on view at the Bullock Museum of Texas History through August 31, 2020.